The BPM DelayX3 offers triple LCR mono delays that are always synchronized to the host’s tempo. The feedback and drive controls can produce some cool sounds with the built-in resonant filtering.

MINI-SLIDER

Controls the mix of the dry signal and the processed (Wet) signal. The percentage indicated is the amount of the signal that is Wet. Range: 0 to 100%

PAGE ONE CONTROLS

[LEFT] LEVEL

Controls the volume of the delayed audio. Range: -inf to 0dB

[LEFT] DELAY

Drop-down menu that allows you to choose the time value of the delayed audio.

Choices: 1/1, 1/2, 1/4, 1/8, 1/16, 1/32, 1/64, 1/96, 1/1dot, 1/2dot, 1/4dot, 1/8dot, 1/16dot, 1/1triplet, 1/2triplet, 1/4triplet, 1/8triplet, 1/16triplet

[CENTER] LEVEL

Controls the volume of the delayed audio. Range: -inf to 0dB

[CENTER] DELAY

Drop-down menu that allows you to choose the time value of the delayed audio.

Choices: 1/1, 1/2, 1/4, 1/8, 1/16, 1/32, 1/64, 1/96, 1/1dot, 1/2dot, 1/4dot, 1/8dot, 1/16dot, 1/1triplet, 1/2triplet, 1/4triplet, 1/8triplet, 1/16triplet

[RIGHT] LEVEL

Controls the volume of the delayed audio. Range: -inf to 0dB

[RIGHT] DELAY

Drop-down menu that allows you to choose the time value of the delayed audio.

Choices: 1/1, 1/2, 1/4, 1/8, 1/16, 1/32, 1/64, 1/96, 1/1dot, 1/2dot, 1/4dot, 1/8dot, 1/16dot, 1/1triplet, 1/2triplet, 1/4triplet, 1/8triplet, 1/16triplet

FEEDBACK

Feeds the delay signal back to the input for echo repeats. Range: 0 to 1

PAGE TWO CONTROLS

[COLOR] TONE

Controls whether the delayed audio goes through a high-pass or low-pass filter. In the center, the filter is turned off, similar to the Master Filter on the Edit Page. Range: 0 to 1

[COLOR] EMPH

Controls the resonance of the Tone control cutoff frequency in the delayed signal.

Range: 0 to 1

[COLOR] FEEDBACK TONE

Inserts the Overdrive and Tone Filter into the Feedback Loop. This is useful for producing echoes that get darker with each successive repeat, and also for creating infinite dub-style echo feedback.

CAUTION: Turning this switch ON can produce extremely loud and powerful howling feedback signals which can damage your ears and your speakers – so watch out!

[OVERDRIVE] TYPE

Selects between Odd or Even harmonic distortion for the delayed signal.

[OVERDRIVE] DRIVE

Controls the amount of overdrive distortion in the delayed signal. Range: 0 to 1

[OVERDRIVE] PRE/POST

Selects between the overdrive circuit being placed before the Tone Control filter (PRE), or after the Tone control filter (POST).

GAIN

Adjusts the overall output volume. Range: 0 to 1