BPM Delay

The BPM Delay offers a single “true-stereo” delay unit that is always in-sync with the host’s tempo. The feedback and drive controls can produce some cool sounds with the built-in resonant filtering.

MINI-SLIDER
Controls the mix of the dry signal and the processed (Wet) signal. The percentage indicated is the amount of the signal that is Wet.
Range: 0 ~ 100%

PAGE ONE CONTROLS

• LEVEL
  Adjusts the overall output.
  Range: 0 ~ 1

• PAN
  Controls the spatial placement of the delayed audio in the stereo field.

• BOUNCE
  Controls how much the delayed audio bounces between the left and right channels.
  Range: 0 ~ 100%

• DELAY
  Drop-down menu that allows you to choose the time value of the delayed audio.
  BPM Range: 1/1 ~ 1/16 T
  (D = dotted value and T = Triplet)

• TONE
  Controls whether the delayed audio goes through a high-pass or low-pass filter. In the center, the filter is turned off, similar to the Master Filter on the Edit Page.
  Range: 0 ~ 1

• EMPH
  Controls the resonance of the Tone control cutoff frequency in the delayed signal.
  Range: 0 ~ 1

• FEEDBACK
  Feeds the delay signal back to the input for echo repeats.
  Range: 0 ~ 1

PAGE TWO CONTROLS

• [OVERDRIVE] FEEDBACK LOOP
  Inserts the Overdrive and Tone Filter into the Feedback Loop. This is useful for producing echoes that get darker with each successive repeat, and also for creating infinite dub-style echo feedback.

!CAUTION: Turning this switch ON can produce extremely loud and powerful howling feedback signals which can damage your ears and your speakers, so watch out!

• [OVERDRIVE] TYPE
  Selects between Odd or Even harmonic distortion for the delayed signal.

• [OVERDRIVE] DRIVE
  Controls the amount of overdrive distortion in the delayed signal.
  Range: 0 ~ 1

• [OVERDRIVE] PRE / POST
  Selects between the overdrive circuit being placed before the Tone Control filter (PRE), or after the Tone control filter (POST).