Radio Delay is essentially a hybrid of a dual-mono BPM-style delay, but with the delayed signals running through the Valve Radio distortion filter. This produces cool, dual-filtered echo effects that sound like they are coming from distorted old speakers or radios. Another cool trick with this delay is that it can be “de-synced” from the host’s tempo and set to a completely different tempo, so that the delays don’t always have that “perfect” sound to them. A useful and interesting effect!
MINI-SLIDER
Controls the mix of the dry signal and the processed (Wet) signal. The percentage indicated is the amount of the signal that is Wet.
Range: 0 ~ 100%
PAGE ONE CONTROLS
- [FILTERS] HPF
Controls the cutoff frequency for the high-pass filter.
Range: 20 ~ 10000 Hz
- [FILTERS] LPF
Controls the cutoff frequency for the low-pass filter.
Range: 100 ~ 22000 Hz
- [FILTERS] Q
Controls the resonance of the cutoff frequency of the filters in the delayed signal.
Range: 0 ~ 1
- [DELAYS] LEFT
Drop-down menu that allows you to choose the time value of the delayed audio.
https://admin.manula.com/editor.php?p=14451&v=15830&l=en&pt=312849
- [DELAYS] TEMPO
Controls the speed of the delays from host Sync to any independent tempo setting.
Range: SYNC, 42.30 ~ 500 BPM
- [DELAYS] RIGHT
Drop-down menu that allows you to choose the time value of the delayed audio.
https://admin.manula.com/editor.php?p=14451&v=15830&l=en&pt=312849
- FEEDBACK
Feeds the delay signal back to the input for echo repeats.
Range: 0 ~ 100%
PAGE TWO CONTROLS
- FEEDBACK LOOP
Inserts the Overdrive and Tone Filter into the Feedback Loop. This is useful for producing echoes that get darker with each successive repeat, and also for creating infinite dub-style echo feedback.
- DRIVE
Controls the amount of overdrive distortion in the delayed signal.
Range: 0 ~ 1
- WIDTH
Controls the stereo width of the delay and dry signal.
Range: 0 ~ 100%
- GAIN
Adjusts the overall output.
Range: 0db ~ 12db
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