Carefully modeled after the iconic Teletronix® compressors. Choose between two flavors—the warm, harmonically rich tone of the tube-based LA-2A, and the faster, cleaner, transistor-based LA-3A. Extended features include the Mix slider for parallel compression and the ability to color the sound with the Harmonics control. You can even filter the bass to avoid over-compression of low frequencies. Two classic units taken to the next level!

  • MINI-SLIDER
    Controls the mix of the dry signal and the processed (compressed) signal. The percentage indicated is the amount of the signal that is compressed.
    Range: 0 ~ 100%

PAGE ONE CONTROLS

  • LIMIT / COMP
    Switches between hard limiting of transients and soft knee, gradual onset compression.
  • GAIN
    Controls the output gain, after compression.
    Range: –inf ~ +22 dB
  • PEAK
    Controls the amount of peak reduction.
    Range: 0 dB ~ –34 dB
  • TUBE / TRANSISTOR SWITCH
    Select “Tube” (LA-2A) for softer transients and more harmonics.
    Select “Transistor” (LA-3A) for faster transients and fewer harmonics.

PAGE TWO CONTROLS

  • INPUT
    Controls the input gain. At higher settings, harmonics are introduced by non-linear components of the model.
    Range: –15 dB ~ +15 dB
  • HARMONICS
    Adjusts the amount of added harmonics that result from input saturation.
    Range: -15 ~ +15
  • BASS FILTER
    At times, compressors can be overloaded by low frequencies. This control sets the frequency of a high pass filter which removes low frequencies from the signal the compressor is “hearing.” Useful to reduce pumping when the input signal is bass-heavy.
    Range: 30 Hz ~ 480 Hz
  • ULTRA / HQ
    Engages internal oversampling for the effect when ULTRA is selected.
  • OUTPUT
    
Adjusts the output level and can be used for makeup gain.
    Range: –15 dB ~ +15 dB

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