The panel on the Moog Sub Phatty is extremely simple and a blast to use, yet it has a quite a bit of power. It has a great Multidrive circuit (which we modeled in Omnisphere), you can control the mix of the four Layers, and there’s an LFO with several fixed modulation routings — all this in a small synth that looks, feels, and sounds great. Limitations include no sustain pedal input and only a two-octave keyboard. If you don’t have a lot of space in your studio or stage rig, but you want a Moog and a controller for Omnisphere for a very good price, this is a great choice.

Moog Sub Phatty Strengths:

  • Intuitive/Fun
  • Multidrive
  • Portability
  • Low Price
  • Great Analog Mono Synth

Moog Sub Phatty Details:

Used Price Around $750
Number of Keys 25
Keyboard Type Unweighted
Size of Controls Medium
Special Features N/A
Dimensions 24.5” × 17” × 9.5”
Weight 20 lbs
USB Powered No
Pitch Bender Yes
Mod Wheel Yes
Sends Aftertouch No
Sustain Pedal Input No
Expression Pedal Input Yes
Ribbon No
Non-Functional Controls Fine Tune
Hidden Features
Arpeggiator No
Sequencer No
MIDI Messages CC

Omnisphere Sections Controlled by the Moog Sub Phatty:

Independent Layer Control No
Number of Oscillators 4
Number of Wavetables 1
Number of Envelopes 2
Number of LFOs 1
Filter Types Jupiter HPF 4-pole
Beefy BPF 4-pole
Beefy LPF 2-pole
Beefy LPF 4-pole
FX Units Global Ambience
Soundsources No
Mod Matrix No
FM No
Ring Mod No
Waveshaper No
Unison No
Harmonia No
Granular No
ORB No
Arpeggiator No

Ratings

Control of Omnisphere
Panel Layout
Ease of Use
Keyboard Feel
Build Quality