BPM Delay

The BPM Delay offers a single “true-stereo” delay unit that is always in-sync with the host’s tempo. The feedback and drive controls can produce some cool sounds with the built-in resonant filtering.

MINI-SLIDER
Controls the mix of the dry signal and the processed (Wet) signal. The percentage indicated is the amount of the signal that is Wet.
Range: 0 to 100%

PAGE ONE CONTROLS

• LEVEL
  Adjusts the overall output.
  Range: 0 to 1

• PAN
  Controls the placement of the delayed audio in the stereo field.

• BOUNCE
  Controls how much the delayed audio bounces between the left and right channels.
  Range: 0 to 100%

• DELAY
  Drop-down menu that lets you choose the time value of the delayed audio.
  Choices: 1/1, 1/2, 1/4, 1/8, 1/16, 1/32, 1/64, 1/96, 1/1dot, 1/2dot, 1/4dot, 1/8dot, 1/16dot, 1/1triplet, 1/2triplet, 1/4triplet, 1/8triplet, 1/16triplet

• TONE
  Controls whether the delayed audio goes through a high-pass or low-pass filter. In the center, the filter is turned off, similar to the Master Filter on the Edit Page.
  Range: 0 to 1

• EMPH
  Controls the resonance of the Tone control cutoff frequency.
  Range: 0 to 1

• FEEDBACK
  Feeds the delay signal back to the input for echo repeats.
  Range: 0 to 1

PAGE TWO CONTROLS

• [OVERDRIVE] FEEDBACK LOOP
  Inserts the Overdrive and Tone Filter into the Feedback Loop. This is useful for producing echoes that get darker with each successive repeat and for creating infinite dub-style echo feedback.

!Turning this switch ON can produce extremely loud and powerful feedback signals which can damage your ears and your speakers, so watch out!

• [OVERDRIVE] TYPE
  Selects between Odd and Even harmonic distortion.

• [OVERDRIVE] DRIVE
  Controls the amount of overdrive distortion.
  Range: 0 to 1

• [OVERDRIVE] PRE / POST
  Lets you position the Overdrive before or after the Tone Control.