The Power Filter was developed in cooperation with GMedia and is based on their famous impOSCar filter design. This rich-sounding filter requires a fair amount of CPU power and should be used sparingly on slower computer systems. It’s the same Power Filter as the one in the Filter section, but with more filter types and an additional dedicated LFO for sweeping the width, which is useful for producing formant and vowel sweeps.

PAGE ONE CONTROLS

  • CUTOFF
    Controls the cutoff frequency of the Filter.
    Range: 17.125 to 18318 Hz
  • RES
    Controls the Resonance or “Q” of the Filter, which emphasizes the cutoff frequency to the point of oscillation at the highest settings.
  • WIDTH
    Controls the amount of Frequency separation between the filters.
    Range: 0 to 1
  • TYPE
    Drop-down menu determines the sonic character of the different filter options.
    Low Pass 24 dB, Band Pass 24 dB, High Pass 24 dB, LP/LP, BP/BP, HP/HP, LP/BP, LP/HP, BP/HP
  • DRIVE
    Controls the amount of overdrive / saturation.
    Range: 0 to 1
  • LEVEL
    Adjusts the overall output.
    Range: 0 to 1

PAGE TWO CONTROLS

  • [CUTOFF] RATE
    Controls the speed of the filter cutoff cycles.
    Range:
    Synced: 32x,16x, 8x, 7x, 6x, 5x, 4x, 3x, 2x, 1/1, 1/2, 1/4, 1/8, 1/16, 1/32, 1/64, 1/96, 1/1dot, 1/2dot, 1/4dot, 1/8dot, 1/16dot, 1/1triplet, 1/2triplet, 1/4triplet, 1/8triplet, 1/16triplet
    Unsynced: 0.00Hz to 15.00 Hz
  • [CUTOFF] DEPTH
    Controls the sweep range of the cutoff modulation.
    Range: 0 to 1
  • [CUTOFF] SYNC
    Engages and disengages synchronization of the LFO rate with the host’s tempo.
  • [WIDTH] RATE
    Controls the speed of the filter width cycles.
    Range:
    Synced: 32x,16x, 8x, 7x, 6x, 5x, 4x, 3x, 2x, 1/1, 1/2, 1/4, 1/8, 1/16, 1/32, 1/64, 1/96, 1/1dot, 1/2dot, 1/4dot, 1/8dot, 1/16dot, 1/1triplet, 1/2triplet, 1/4triplet, 1/8triplet, 1/16triplet
    Unsynced: 0.00Hz to 15.00 Hz
  • [WIDTH] DEPTH
    Controls the width of the sweeping LFO.
    Range: 0 to 1
  • [WIDTH] SYNC
    Engages and Disengages synchronization of the LFO rate with the host’s tempo.