The Modern Compressor has a bright, “solid-state” sound character with a very fast and snappy response curve. The Modern Compressor was modeled after the legendary SSL™ compressors found in their renowned consoles that are responsible for many hit records. This compressor is great for the stereo master buss if you want a very clear bright sound, or works equally well in bringing out the presence of any individual element in a mix.

  • THRESHOLD
    Sets the audio level at which the unit starts to compress the signal. If the input signal is below the Threshold level, the unit does not apply any compression. Once the level crosses the Threshold, then the compression begins to affect the signal.
    Range: 0 to -60 dB
  • RATIO
    The range of dynamic compression once the compressor engages.
    Range is 1:1 to 8:1
  • GAIN
    A make-up gain stage that adjusts the overall output volume to compensate for compression level reduction.
    Range 0 to 24 dB
  • PEAK / RMS
    Allows the choice of PEAK Limiting or RMS compression curves. Peak limiting detects audio transients that are louder than the set Threshold level and applies compression to control those peaks to whatever level you’ve set. RMS Compression detects an audio signal’s average level and applies Compression to the overall signal. This helps make the whole audio signal louder. With RMS, there is no specific ceiling for the audio as there is with Peak limiting.
  • ATTACK
    Adjusts the amount of time that the compressor takes to start compressing once the audio has gone above the Threshold level.
    Range: 0.1 to 400 ms
  • RELEASE
    Adjusts the amount of time that the compressor takes to stop compressing once the audio has gone under the Threshold level.
    Range:10 to 5000 ms
  • LIMIT
    Engages and disengages an additional “brick wall” limiter at the output. The compression controls continue to work regardless of whether the brick wall limiter is engaged or not.

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