The FX Page

Effects are an important part of Trilian’s sound palette, and are used to enhance the sonic character of Patches and Multis. They can add space, density, movement, alter the timbre, and shape the sound in many interesting ways.

The high-quality, built-in FX in Trilian are integrated with the interface as well as with the sounds. Any FX units you use are saved along with Patches and Multis.

In one instance of Trilian there are 33 different FX Units which can be mixed and matched in 29 FX Racks, a comprehensive FX Preset library, and a powerful feature set for integrating the FX with the synthesis engine.

Trilian uses Inserts for Patch FX, and Aux Sends for adding FX to the Parts in a Multi. Insert FX affect only the Patch into which they’re inserted, either pre or post-fader, while multiple Parts can share any of the Aux Sends FX. All Parts can also go through the final Master Rack.

There’s no limit to how FX can be creatively applied, but certain FX, such as Compressors and Modulation FX, are best used as Inserts. Other FX, like Reverbs and Delays, are often best used as Send FX. Deciding when and where to apply FX is also an important part of optimizing CPU usage in Trilian. Using one reverb in an AUX Send for all Layers is far less CPU-intensive than using one reverb for every Layer.

One of the key features of Trilian’s FX is that any Layer FX parameter can be modulated with any Modulation Source. This means that FX can be fully integrated into the synthesis architecture and character of a Patch, making them more than simple FX plug-ins.

All FX parameters can be MIDI-learned for hands-on control, and enabled for working with host automation.

In addition to individual FX Presets, you can also load or save Rack Presets, which include entire FX chains with all of their settings pre-loaded.

TIP: FX parameters can also be controlled using the MAIN Page Custom Controls. This offers tremendous flexibility in shaping the tone and timbre of bass sounds without having to access the FX Rack.