FX - BPM Delay
The BPM Delay offers a
single “true-stereo” delay unit that is always in-sync with the host's tempo.
The feedback and drive controls can produce some cool sounds with the built-in
resonant filtering.
MINI-SLIDER
Controls the mix of the
dry signal and the processed (Wet) signal. The percentage indicated is
the amount of the signal that is Wet. Range: 0 to 100%
• PAGE ONE CONTROLS
LEVEL
Adjusts the overall
output volume. Range: 0 to 1
PAN
Controls the spatial
placement of the delayed audio in the stereo field.
BOUNCE
Controls how much the
delayed audio bounces between the left and right channels.
Range: 0 to 100%
DELAY
Drop-down menu that
allows you to choose the time value of the delayed audio.
Choices: 1/1, 1/2, 1/4,
1/8, 1/16, 1/32, 1/64, 1/96, 1/1dot, 1/2dot, 1/4dot, 1/8dot, 1/16dot,
1/1triplet, 1/2triplet, 1/4triplet, 1/8triplet, 1/16triplet
TONE
Controls whether the
delayed audio goes through a high-pass or low-pass filter. In the center, the
filter is turned off, similar to the Master Filter on the Edit Page.
Range: 0 to 1
EMPH
Controls the resonance
of the Tone control cutoff frequency in the delayed signal.
Range: 0 to 1
FEEDBACK
Feeds the delay signal
back to the input for echo repeats. Range: 0 to 1
• PAGE TWO CONTROLS
[OVERDRIVE] FEEDBACK
LOOP
Inserts the Overdrive
and Tone Filter into the Feedback Loop. This is useful for producing echoes
that get darker with each successive repeat, and also for creating infinite
dub-style echo feedback.
CAUTION:
Turning this switch ON can produce extremely loud and powerful howling feedback
signals which can damage your ears and your speakersƒso watch out!
[OVERDRIVE] TYPE
Selects between Odd or
Even harmonic distortion for the delayed signal.
[OVERDRIVE] DRIVE
Controls the amount of
overdrive distortion in the delayed signal. Range: 0 to 1
[OVERDRIVE] PRE/POST
Selects between the
overdrive circuit being placed before the Tone Control filter (PRE), or after
the Tone control filter (POST).
