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Mixer Controls
Live Mode » Mixer Controls
Displays the basic Mixer Controls for each of the eight Parts, and includes a Mute button, Solo button, a Level slider, and a Folder icon to access the Patch Browser. Any changes made using the Mixer Controls on the LIVE MODE page will be reflected on the MIXER…
The Mixer
The Mixer
The MIXER page provides a complete overview of all the Parts in a MULTI. All eight Parts are displayed in a traditional eight-channel mixer layout, with each Part having the following adjustable settings: MIDI Channel Output Channel MUTE and SOLO Patch Name…
Mixer and Jumbo Views
Live Mode » Mixer and Jumbo Views
When Mixer View is selected, this area displays the basic mixer controls for each of the eight Parts. In addition to Level, Mute, and Solo, there is a Folder icon to access the Patch Browser, Latch and Trigger selectors, the Settings Zoom icon, and the Stop All…
Page Buttons
The Layer Pages » Envelopes » Envelope Zoom » Page Buttons
Above the Envelope Display area are six Page Buttons that select the controls for the current Layer’s AMP and FILTER Envelopes and the four global MOD Envelopes which are shared by all Layers for the Part. NOTE: The AMP and FILTER Envelopes displayed are…
The Main Page
The Main Page
The Main Page can be considered Omnisphere’s “dashboard.” It allows quick changes to the Patch that has been loaded and there are useful performance controls that appear here exclusively. The parameter controls in the MAIN page affect the…
Layer Page Basics
The Layer Pages » Layer Page Basics
Each Part in Omnisphere has four Layers, A, B, C, and D. Omnisphere’s Layer Pages have been designed to provide a useful set of controls over many aspects of the sound. From here you can control Oscillators, Filters, and LFOs, as well as sculpt Envelopes and…
The FX Page
The FX Page
Effects are an important part of Omnisphere’s sound palette, and are used to enhance the sonic character of Patches and Multis. They can add space, density, movement, alter the timbre, and shape the sound in many interesting ways. The high-quality, built-in FX…
Resonance
The Layer Pages » Filters » Resonance
Resonance is also called ‘Q’ or Emphasis in synthesizers, because it emphasizes the cutoff point of the filter. Resonance can often increase the loudness of the Filter, so its a good idea to use this control along with the Filter Gain, so that audio clipping…
Dynamics
The FX Page » Dynamics
Omnisphere includes seven dynamics processors, modeled on the finest studio hardware from the past 6 decades. These units provide precise dynamic control, as well as a variety of sonic colors. Tube Limiter Tape Slammer Modern…
Amplifiers
The FX Page » Amplifiers
Omnisphere includes nine amplifier models for unique sonic coloration. From clean, bell-like tones and fat, classic tube distortion, to sounds you can only get from the cheesiest transistor radio…
Patch Name
The Mixer » Patch Name
The Patch Name Display shows the currently loaded Patch. Clicking the Patch Name Display will open the Patch Browser. Patches can then be browsed and loaded for that Part. Closing the Patch Browser will return you to the MIXER page. *Please refer to the BROWSER…
Copying and Pasting FX
The FX Page » FX Presets » Copying and Pasting FX
In addition to reorganizing FX units by dragging, you have the option to copy and paste them to alternate locations. Copying an FX Unit, along with all of its current parameter settings and pasting it into a different slot or rack is another way of changing…
Aux Sends
The Mixer » Aux Sends
Each of the four Aux Sends has its own FX Rack (accessed by selecting the FX Button at the top of the MIXER). The AUX1–AUX4 knobs let you control the amount of FX applied to the Part. NOTE: The Aux Sends FX are shared by all 8 Parts in the MULTI. Please see the…
MIDI Channel Menu
Stack Mode » MIDI Channel Menu
All of the Parts in STACK MODE respond to a single MIDI Channel, even if the Parts are assigned to different MIDI Channels on the MIXER page. Use the MIDI Channel Menu to select STACK MODE’s MIDI Channel. Range Any, CH: 1 – CH: 16.
Re-ordering Parts
Live Mode » Re-ordering Parts
Parts can be re-ordered by dragging and dropping them between the eight Slots. Dropping a Part into an occupied Slot doesn’t delete the existing Part. Instead, all the remaining Parts will move to make room for the dropped Part. NOTE: Re-ordering Parts in the…
Save as Default Multi
Concepts » The Header » Utility Menu » Save as Default Multi
Saving a Multi preserves the entire state of the plug-in for future recall. A Multi stores all of the settings from the MIXER page, the Multi FX, the LIVE MODE and STACK MODE pages, all MIDI Learn & Automation assignments, as well as all of the settings (including…
Folder Icon Buttons
Concepts » Interface Conventions » Folder Icon Buttons
Besides the Mini-Browser, there are three Full Browsers built into Omnisphere, one each for Multis, Patches, and Soundsources. All three Full Browsers have identical functions, but access different parts of the Core Library. Anywhere that you see a Folder icon,…
Level and Pan
The Mixer » Level and Pan
LEVEL Each Part has a LEVEL fader. Moving the fader to the left decreases volume, moving the fader to right increases volume. The LEVEL meter displays the Part’s current signal level. Although the meter can go into the “red,” Omnisphere will rarely…
Output Assignment
The Mixer » Output Assignment
By default, Parts 1 – 8 are assigned to OUT A. However, each Part in a MULTI can be routed to any one of the 9 output channels. Select the desired channel from the Output Channel drop-down menu. Range OUT A – OUT I. *Please refer to the FX Architecture…
Patch Browser
The Browsers » Full Browser Overview » Patch Browser
The Full Patch Browser is accessed from the Patch Name Display, which is always visible and available from any of the Part pages. Select the Folder Icon Button or click on the Patch Name Display to open the Full Patch Browser. Full Patch Browser The Patch…
Display Menu
Stack Mode » Display Menu
The Display Menu allows you to choose which information is displayed with each Region in the STACK MODE Grid. Show Name Displays only the Part Name. Show Part # Displays only the Part Number. This corresponds to the Part Number on the MIXER Page. …
Navigation Buttons
Concepts » The Header » Navigation Buttons
The Navigation Buttons in the header are used to select and view any of the eight Parts, the Multi Section, or the System Page. Only one button can be selected at a time. Part Select Buttons (1 ~ 8) Buttons 1–8 are Part Select Buttons. Selecting a Part lets…
Part Number and MIDI Channel
The Mixer » Part Number and MIDI Channel
Part Number Each of Omnisphere’s eight Parts is numbered along the far left of the MIXER page. MIDI Channel By default, Parts 1–8 are assigned sequentially to MIDI Channels 1 ~ 8. However, each Part in a MULTI can be set to respond to any one of 16 MIDI…
Sharing
Sharing
Using the Sharing feature, it’s easy for you to share your custom Omnisphere sounds, no matter if they were created using Factory Soundsources, Wavetables, or your own audio. You can share any combination of Patches, Multis, and User Soundsources with a few…
Part Level, Mute / Solo
The Main Page » Part Level, Mute / Solo
Part Level This slider determines the overall volume of the selected Part. This slider, and the Mute/Solo switches are the same as the Mute/Solo and Part Level control on the Mixer page. Range -Inf dB ~ +9.54dB Mute and Solo M (Mute) – Silences the…
QuickStart
Getting Started » QuickStart
This QuickStart provides an overview of the essential things you’ill need to know in order to get started using Omnisphere. Omnisphere is a powerful software instrument and can be run as a standalone application or hosted in any software DAW. Omnisphere…
Mute and Solo
The Mixer » Mute and Solo
Mute Selecting the M Button mutes the audio output for that Part. However, the Part is still playing in the background when muted, and will continue to use CPU resources. Solo Selecting the S Button will Solo a Part. When the Solo button is selected, only that…
Touch Sliders
Concepts » Omni TR » Controls » Touch Sliders
The Controls page features eight Touch Sliders assigned to groups of the most useful performance/editing parameters for each Omnisphere Layer. The different groups can be chosen from the drop-down menu above the sliders to set which Omnisphere parameters you wish to…
Sharing Sounds
Sharing » Sharing Sounds
When you want to share only one type of sound at a time, (Multis, Patches, or User Soundsources), this is the quickest and simplest method. NOTE: You can share User Soundsources by themselves, without Patches or Multis, but if a Patch or Multi you are sharing employs…
FX Descriptions
The FX Page » FX Descriptions
There are 58 different professional-quality internal FX Units to choose from in Omnisphere (which can be expanded up to 66 via Sonic Extensions). For more detailed descriptions of the controls and operation, please click on the FX Unit names. DYNAMICS Tube…
Dual Live Mode
Live Mode » Dual Live Mode
Dual Live Mode is designed to be used with two independent MIDI controllers. It divides the eight Parts into two sets of four (Parts 1~4 and Parts 5~8) and each set can receive MIDI messages on its own MIDI channel. Activating Dual Live Mode To activate Dual Live…
Info Zoom Views
The Browsers » Operation » Info Zoom Views
When the Info View mode is selected, the right column contains information about the selected sound. In addition, there is a Zoom Button that will open a Zoom View for additional details about the sound. The Zoom Views in the different Browsers contain similar…
Structure
The Layer Pages » Filters » Filter Zoom » Structure
The central part of the FILTER ZOOM section is dedicated for controls that are common to both of the Filters, including the ability to route to two Filters in parallel or series and to place them before or after the Amplifier. The CUTOFF, RES, VARIANT, KEY,…
Show Menu
Live Mode » Show Menu
LIVE MODE offers five ways to switch or layer the eight Parts: MIDI Notes MIDI CC (Control Change) messages MIDI Program Change Mouse (or Windows Multitouch) Omni TR The first three methods use MIDI Learn to set up how the Parts will respond. Although all…
Stack Mode
Stack Mode
STACK MODE is a powerful feature designed for creating splits, layers, and crossfades with up to eight Parts at once. STACK MODE offers a flexible environment for either live performance or composing. STACK MODE is especially useful for recording a multi-Part…
The Orb
The Orb
The innovative Orb feature is both a remarkable sound manipulation tool and an intuitive performance interface—it can be thought of as a “circular controller.” With a single click of the mouse, it is possible to instantly manipulate a sound in a…
MIDI Learn Concepts
Concepts » MIDI Learn and Automation » MIDI Learn Concepts
MIDI Learn is an immensely powerful feature that allows you to remote control virtually any on-screen parameter (including FX menu selections) with a MIDI controller. It is a very flexible system that can adapt to the MIDI device you use and allows changes made to…
Latch Mode
Live Mode » Latch and Trigger Modes » Latch Mode
When Latch Mode is enabled for a Part, repeatedly playing a note will toggle the note ON/OFF. When it is toggled ON, the note will continue to sustain, even if the note is released. Playing the same note again will toggle it OFF. NOTE: Any latched notes will stop…
Clear, Save, Copy, and Paste
Concepts » The Header » Utility Menu » Clear, Save, Copy, and Paste
The Utility Menu provides options to Initialize or Clear Multis, Patches and Layers, and to Save Multis and Patches. There are also functions that allow Part and Layer settings to be copied and pasted. Initialize vs. Clear (Multi, Patch, and Layer) When you…
Multis
Concepts » Architecture and Hierarchy » Multis
A Multi is comprised of all eight Parts, four Aux FX Racks, a Master FX Rack and a Master Mixer. It also includes any Live Mode and Stack Mode settings, and all MIDI Learn assignments. Therefore, saving a Multi is saving the entire state of the instrument for…
Outputting Omnisphere’s Audio
Performing Live with Omnisphere » Outputting Omnisphere’s Audio
There are two ways to send Omnisphere’s audio from the computer to an amplifier or mixer. This can be done via the headphone/audio out jack or with an external audio device—there are pros and cons to both approaches. Using the Headphone Jack Pros: Using the…
Performance Optimzation
Concepts » Performance Optimzation
The vast majority of Omnisphere Patches will play comfortably within your host, without over-stressing the computer’s CPU or memory. However some Patches employ sophisticated effects or large numbers of streamed samples, and those may require special attention.…
Optimizing Performance
Performing Live with Omnisphere » Optimizing Performance
The vast majority of Omnisphere Patches will play comfortably in your host, without over-stressing the computer’s CPU or memory. However, certain Patches employ more sophisticated effects or large numbers of streamed samples, and those may require special…
Architecture and Signal Flow
The FX Page » Architecture and Signal Flow
In Omnisphere there are two main types of FX racks: those that work within a single Part and are saved with a Patch (Part FX Racks), and those that are shared by multiple Parts and saved with a Multi (Multi FX Racks). PART FX RACKS Using effects units, ranging from…
Glossary
Glossary
Audio Unit Apple introduced the Audio Unit (AU) plug-in specification in MacOS. Since this plug-in standard is native to MacOS—and not to any specific host or platform (like TDM or VST)—Apple has encouraged companies to adopt it as a standard for all Mac audio…
Twisted Trees
Sonic Extensions » Extensions » Twisted Trees
After many years of development, legendary sound designer Diego Stocco proudly introduces an intense new sonic world built entirely from wood! Twisted Trees™ is an endlessly inspiring tool, curated specifically for dark cinematic production. The organic heart…
Modulation
The FX Page » Modulation
Omnisphere includes twelve modulation processors that span the history of recording, from vintage and modern phasers, flangers, and choruses to vibey vibrato and tasty tremolo. Analog Chorus Ultra…
Equalizers
The FX Page » Equalizers
Omnisphere includes six equalizers that range from super-musical Pultec-style units, to graphic sculpting and parametric EQs with surgical precision. Studio EQ Vintage EQ2 Vintage EQ3 Graphic EQ7 Graphic EQ12 Parametric…
Filters
The FX Page » Filters
Omnisphere includes six ultra-musical, powerful, and dynamic filters for sonic coloring and customization—even in real-time. Sculpt individual layers or overall sounds, create dynamic envelopes with vocal formants and tube radios, or…
Distortion
The FX Page » Distortion
Omnisphere includes five distortion processors—from a variety of stomp boxes to rack modules—giving you tones that barely break up to the most clipped and gnarly noises imaginable. Stompbox Modeler Flame Metalzone Toxic…
Delays
The FX Page » Delays
Omnisphere includes six delay units that range from the powerful Chorus Echo and tempo-driven multi-tap delays, to the modeled, tape-based Retroplex, and the awesome retro-sounding Radio Delay. Synchable, time-based delays are not only useful for creating…
Oscillator Zoom
The Layer Pages » Oscillators » Oscillator Zoom
The OSCILLATOR ZOOM provides access to many of Omnisphere’s controls in one convenient place. To access the OSCILLATOR ZOOM, click on the magnifying glass next to the word OSCILLATOR. From here, you can adjust and control TRANSPOSE, COARSE and FINE…
Waveshaper
The Layer Pages » Oscillators » Oscillator Zoom » Waveshaper
Omnisphere’s Waveshaper takes the Oscillator’s waveform and passes it through mathematically generated curves that add various types of distortion, changing the waveform’s harmonic content. Instead of being a standalone effect, Omnisphere’s Waveshaper is…
Reverbs
The FX Page » Reverbs
Omnisphere includes three studio-quality reverb units—the highly detailed PRO Verb, the quick and easy-to-use EZ Verb, and the ultra-reaslitic, classic Spring Verb. Pro Verb EZ Verb Spring Verb
Importing User Audio
User Audio » Importing User Audio
Omnisphere allows you to import your own audio to use as Soundsources and to create your own Patches and Multis. You can process and manipulate your own audio in creative ways using Omnisphere’s powerful synthesis capabilities. You might want to import a…
Granular
The Layer Pages » Oscillators » Oscillator Zoom » Granular
Granular synthesis is a powerful type of synthesis that fragments pieces of audio into very small bits called “grains.” Since each grain can have its own duration, amplitude and envelope, they can create a layered ‘soundscape’ of overlapping tones.…
Envelope Zoom
The Layer Pages » Envelopes » Envelope Zoom
The ENVELOPE ZOOM page provides precise editing of the 12 available envelopes in a Part (4 AMP envelopes per Layer, 4 Filter envelopes per Layer, and 4 Global Mod Envelopes). Complex envelopes can be created with hundreds of stages. Each envelope segment can have…
Synth Controls
The Layer Pages » Oscillators » Oscillator Zoom » Harmonia » Synth Controls
. When the OSCILLATOR is set to SYNTH mode, all of the HARMONIA features in SAMPLE mode are available, as well as a second set of options that are unique to SYNTH mode. This special set of controls allows independent waveform control over each HARMONIA voice.…
Power Switches
The Layer Pages » Filters » Filter Zoom » Power Switches
The Dual-Filter Power Switch enables or disables the entire Filter. It is a duplicate of the Power Switch on the EDIT page. The entire Dual-Filter can be turned ON and OFF with this switch, providing a quick way to compare the sound with and without…
Controls
The Layer Pages » Envelopes » Controls
The ADSR Envelope slider interface operates the same way for all the different envelope types in Omnisphere. The screenshot above is from the Envelopes Zoom page, but illustrates what a standard ADSR Envelope looks like. The first to second point (or Stage)…
Waveforms
The Layer Pages » LFOs » Waveforms
Each of Omnisphere’s LFOs can have its own waveshape. There are nine available LFO waveforms. Sine – A smooth c-shape that begins positive and then curves negative and back again. Useful for sweeps and vibrato. Triangle – A…
LFOs
The Layer Pages » LFOs
LFOs (Low Frequency Oscillators) are used for cyclical modulation effects like vibrato, tremolo, filter sweeps, and auto-pan effects. Omnisphere has eight independent LFOs available for each Part. All eight LFOs have an identical set of parameters and can be used…
Creative
The FX Page » Creative
These two powerful and unique processors provide a ton of new possibilities for sound design—and they’re super fun to use! Quad Resonator Innerspace
Graphic EQ7
The FX Page » Equalizers » Graphic EQ7
The Graphic 7-Band EQ is useful for tailoring a full spectrum audio source with broad control of multiple bands. With the Q control, it’s more versatile than an average graphic EQ—it’s capable of achieving comb filter FX and even basic speaker…
Graphic EQ12
The FX Page » Equalizers » Graphic EQ12
The Graphic 12-Band EQ is useful for tailoring a full spectrum audio source with fine controls of multiple bands for precision control. With the Q control, it’s more versatile than an average graphic EQ — it’s capable of comb filter FX and even basic…
Bypassing an FX Unit
The FX Page » FX Basics » Bypassing an FX Unit
It can be useful to audition sounds and Patches by bypassing one or more of the FX units. When an FX unit is bypassed it is removed from the audio chain, allowing you to hear how any particular effect (or group of effects) is changing the sound. Bypassing an FX Unit…
Innerspace
The FX Page » Creative » Innerspace
Designed to apply acoustic resonances and and the sonic character of unique spaces to any sound in Omnisphere, INNERSPACE super-imposes the characteristics of one sound onto another. Sounds range from pills being dropped in a glass, scraped piano strings,…
Controls
The Layer Pages » Oscillators » Oscillator Zoom » Harmonia » Controls
POWER SWITCH This turns HARMONIA ON and OFF and is useful for comparison to the original sound. HARMONIA PRESETS A complete set of HARMONIA presets can be accessed by selecting the menu arrow. Any factory presets or custom settings can be copied, pasted, or…
Mod Matrix Zoom
The Layer Pages » Modulation » Mod Matrix Zoom
Selecting the Zoom icon on the Modulation header will open the MOD MATRIX ZOOM view. This view offers precise control over all of the modulation routings in the Patch. The advantage of this zoom view is that the many routings can be displayed for editing…
Unison
The Layer Pages » Oscillators » Oscillator Zoom » Unison
In vintage analog polyphonic synthesizers, Unison was used to trigger all of the voices cards of the synthesizer at the same time for a rich, detuned, monophonic sound. Omnisphere takes Unison to the next level by offering polyphonic Unison, with numerous…
Memory Meter
The Browsers » Operation » Memory Meter
Memory Meter The Memory Meter is a gauge that shows how much Virtual Memory is being used by the plug-in. If the Memory Meter approaches full, you will see a pop-up warning, and may need to take steps to reduce memory usage, such as enabling the Lite…
Curves Menu
The Layer Pages » Envelopes » Envelope Zoom » Curves Menu
All of Omnisphere’s twelve dedicated Envelopes are capable of generating contours with hundreds of points. Right/Control-clicking anywhere in the Envelope display will bring up the Envelope Curves Menu with a list that allows points to be added or removed, followed…
Wavetables
The Layer Pages » Oscillators » Synth Mode » Wavetables
Click the down-arrow to the left of the Waveform display to reveal a drop-down menu listing Omnisphere’s DSP wavetables. There are over 500 wavetables in Omnisphere and they are listed in the directories below. Use the SHAPE slider to get an idea of the sonic…
Buttons
Concepts » Interface Conventions » Buttons
Buttons are used for choosing sections or selecting from among multiples of a single type. When selected, buttons will be highlighted in blue. For example, there are 8 LFO buttons. When one of them is highlighted it means it is selected, and that LFO’s settings are…
FX Modulation
The Layer Pages » Modulation » FX Modulation
The fact that Omnisphere can modulate hundreds synthesis parameters is only part of the story. Any of Omnisphere’s modulation sources can be applied to the myriad of FX parameters as well. Just about every single parameter in all of Omnisphere’s 58 effects…
Soundsource Browser
The Browsers » Full Browser Overview » Soundsource Browser
The Soundsource Browser is accessed from the Layer pages, as well as the Main Page. On the Layer pages, select the SAMPLE tab in the OSCILLATOR section, then click on the image or the folder icon in the display to open the Soundsource Browser. On the Main…
Phase
The Layer Pages » LFOs » Phase
The small LFO Phase slider determines the point at which the LFO waveform will begin its cycle. If the slider is set to minimum, the LFO will begin its cycle at the start of the waveform. As the PHASE is increased, the point in the waveform that the LFO will begin…
Ring Modulation
The Layer Pages » Oscillators » Oscillator Zoom » Ring Modulation
RING is short for Ring Modulation, which is similar in concept to FM (and the parameters are exactly the same as those in the FM sub-page). In Ring Modulation the frequencies of both oscillators are multiplied, which changes their overall…
Modulation Sections
The Layer Pages » Modulation » Modulation Sections
When a parameter is modulated, the routing is automatically shown in two sections: in the left sidebar of the plug-in (replacing the Mini-Browser) and the Modulation section of the Layer pages. They both have similar controls, with the advantage that the sidebar on…
Pitch Controls
The Layer Pages » Oscillators » Oscillator Zoom » Granular » Pitch Controls
PITCH GRAINS This slider sets how often the grains will be transposed in pitch. The PITCH GRAINS parameter and the ones below it, INTERVAL, GLIDING, and DIRECTION menu, are interdependent. When the PITCH GRAINS parameter is set to 0, the INTERVAL, GLIDING, and…
Valve Radio
The FX Page » Filters » Valve Radio
The VALVE RADIO FX unit is a unique device, which functions equally well as both a dual filter and a distortion device. The combination of these two effects can product many types of vintage radio and telephone speaker simulation effects. This unit also includes…
Resonance
The Layer Pages » Filters » Filter Zoom » Resonance
The RES control on the FILTER ZOOM page is identical to the RES knob on the LAYER pages. Resonance is also called “Q” or “Emphasis” in synthesizers, because it emphasizes the cutoff point of the filter. Resonance can increase the loudness…
Browsing Sounds
Sonic Extensions » Browsing Sounds
Browsing and selecting Sonic Extensions sounds works in the same way it does in Omnisphere. Select a Sonic Extension from the Sonic Extensions Directory. Patches are available for browsing on the left in the Mini-Browser, where you can select them with your…
Morphing Modulation
The Layer Pages » Modulation » Morphing Modulation
Omnisphere has a very special modulation feature that goes beyond the standard method of modulating a single target with a single source, called Morphing Modulation. This system uses dual Sources to modulate a single Target and adds a morphing component to…
Mix / Path / Gain
The Layer Pages » Oscillators » Oscillator Zoom » Waveshaper » Mix / Path / Gain
MIX The MIX slider controls the balance between the original Oscillator’s signal and the Waveshaped sound. If the mix is at the minimum setting, then the effect of the Waveshaper is not heard. When set to the maximum, only the Waveshaped signal is heard.…
Trigger
The Layer Pages » Envelopes » Envelope Zoom » Trigger
The LFO Trigger Mode determines how the Envelope is triggered and cycled. The NOTE, LEGATO, and SONG modes are only available on MOD Envelopes. LOOP This switch toggles Envelope looping. When selected, the Envelope will continually repeat as long as the…
Envelopes
The Layer Pages » Envelopes
One of the innovative features of Omnisphere’s Envelopes is that each of them has two interfaces. There have always been two competing design philosophies: ADSR envelopes, which are fast and easy to use, and Complex envelopes, which are more powerful and…
Level, Amp, and Pan
The Layer Pages » Layer Page Basics » Level, Amp, and Pan
Each Layer has Level and Pan controls in addition to an AMP control—these are commonly used as modulation targets. LAYER LEVELS The level sliders are used to blend the Layers. Often, even a subtle change in level can affect the sound dramatically. Range -inf…
Jumbo
Concepts » Omni TR » Jumbo
Omni TR’s Jumbo page is a two-way, touchscreen remote control for Live Mode. The Patch selection buttons on the Jumbo page are large and easy-to-read, making it ideal for stage use. Since Omnisphere’s Live Mode already allows multiple sound selection, the…
Miscellaneous
System » Miscellaneous
This area provides global options for the instrument’s Startup Page, Round Robin settings, and preferences for how the Layers behave in the interface. Startup Page Preference Omnisphere’s default startup page is the Main Page. This menu allows you to select…
Frequency Modulation
The Layer Pages » Oscillators » Oscillator Zoom » Frequency Modulation
FM stands for Frequency Modulation. FM has been a feature on synthesizers since the 1960s, but it became mainstream in the 1980s with Yamaha’s DX/TX series of digital synthesizers. It was well-known for producing glassy, metallic, and other harmonically complex…
Special Articulations
The Layer Pages » Oscillators » Soundsource Zoom » Special Articulations
There are two types of additional Soundsources loaded in the background that are automatically triggered depending on how a passage is performed. These consist of Release Noise articulations and Legato Soundsources (samples of actual Legato performances).…
Sample Mode
The Layer Pages » Oscillators » Sample Mode
When in SAMPLE mode, the OSCILLATOR plays back Soundsources from Omnisphere’s massive Core Library. Soundsources range from complex, multi-sampled sounds to a single sample mapped across a keyboard. SAMPLE MAIN Soundsource Display The Soundsource Display…
Link Omnisphere GUI
Hardware Synth Integration » Link Omnisphere GUI
When a Hardware Profile is loaded, Omnisphere follows your moves on the hardware synth by automatically switching to the relevant page. If you adjust the envelope on the hardware synth, Omnisphere will display that envelope’s zoom page. If you adjust an…
Modes
The Layer Pages » Oscillators » Oscillator Zoom » Granular » Modes
There are two exclusive Granular modes: SPEED and POSITION. While other granular parameters work in the same manner regardless of the mode, the slider above the SPEED and POSITION mode selectors controls only the selected mode. SPEED SPEED automatically…
Key Tracking
The Layer Pages » Filters » Filter Zoom » Key Tracking
The KEY control on the FILTER ZOOM page is identical to the KEY slider on the LAYER pages. The Filter Key Tracking is a dedicated modulation control. It determines to what extent the cutoff frequency will track the keyboard. The higher the KEY value is set, the…
Quad Resonator
The FX Page » Creative » Quad Resonator
QUAD RESONATOR is based on four parallel comb filters that can add tuned resonances to any input signal. Comb filters create a “metallic” ringing effect and are created by feeding a sound back into itself and mixing the two signals. The positional…
Envelope Filter
The FX Page » Filters » Envelope Filter
The ENVELOPE FILTER uses Omnisphere’s filters with an envelope follower, adding sonic animation to the envelope of a sound. Includes a cool compressor on Page 2 to squash those filtered sounds! Great for use with Clavinets and electric guitars, and…
Depth
The Layer Pages » LFOs » Depth
The LFO DEPTH knob controls the intensity of the LFO’s effect on the Mod Target. The higher the setting, the greater the amount of the LFO signal is sent to the Mod Matrix.
FX Basics
The FX Page » FX Basics
To load an FX Unit into a Rack, click the downward-facing triangle on the desired slot. From the resulting drop-down menu, choose an FX Unit by selecting the FX category and then the FX name from the menu.